In my work, I create quiet, abstract, meditative environments as a study of spiritual expression. Ultimately I am interested in the study of subtraction to the point of purity, simplicity and refinement. I am Japanese and Russian-American, a descendant of Bizen sword maker Ando Yoshiro Masakatsu and was raised between two worlds: among sword smiths-turned Buddhist priests in a Buddhist temple in Okayama, Japan and amongst the redwoods in coastal Santa Cruz, California. I am influenced by meditation, nature, geometry and the ethos and aesthetics of Zen Reductivism. I work primarily in metals and light, themes in my work are impermanence, transformation and transcendence.
The foundation of my studio practice is based on the transformation of surfaces, focusing to create works with light and metals. I have a deep appreciation for the dynamic properties of metal and its ability to reflect light. Metal simultaneously conveys strength and permanence and yet in the same instant can appear delicate, fragile, luminous, soft, and ethereal. The medium becomes both a contradiction and juxtaposition for expressing notions of evanescence, including ideas such as the transitory and ephemeral nature of all things, quietude and the underlying impermanence of everything.